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"Itdisplays the superb quality and fascinating range of the finest furniture of this period." www.antique.co.uk
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*Starred Review* Marry a well-established subject-matter expert to a publisher recognized for its lavish four-color and educational tomes, and the honeymoon will last forever. Antiques maven and collector Miller talks all about furniture in what could easily be dubbed the best reference book of 2005. Twelve information-packed chapters divide and conquer, starting with 4000 B.C.E. to 1600 C.E and ending with postcontemporary and modern in 1970 to the present. There is nary a second to pause and linger: page after page describes the period, its defining elements of style, and its famous artisans and books and offers historical time lines and a collection of sample chairs, tables, case pieces, desks, and the like. The 3,000 photographs are superb, each with brief description, date of manufacture, dimensions, provenance (when known), occasional price (from $200 to more than $450,000), and sometimes the dealer code. More than enough education to prompt an even larger stampede of collectors. Useful addresses, further reading, dealer codes, and glossary are appended. Barbara Jacobs Copyright © American Library Association. All rights reserved |
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Barbara Mayer who is a writer specializing in design and decorative arts topics, has been the home furnishings writer for the Associated Press for 12 years. The author of two other books on craft art and interior design, her Magazine credits include Elle D Rob Gray is a professional photographer currently based in Manhattan whose work has appeared in numerous magazines, including HG, House Beautiful, Vogue, and Metropolitan Home, as well as in several books. |
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Those wishing to create furniture very few living people have seen the like of need look no further than this book. The furniture described in it is based on one-of-a-kind museum pieces 400 years old and older. Many of the originals haven't met the test of time very well, it is true, and Diehl and Donnelly fudge the measurements a tad, if only to make things come out reasonably square and true. Those who dive into this book and its predecessor, Constructing Medieval Furniture (1997), should possess considerable woodworking skills and able carving and metalworking hands. These projects aren't for beginners, and the pieces themselves aren't what one would see in a typical modern home. It also helps not to forget that, for example, the church pew herein was originally built when you got 10-foot boards 2 inches thick and 18 inches wide by heading out to the forest and harvesting them. Very much on an offbeat subject, this book is simply wonderful because of that. Jon Kartman
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This enlarged edition contains 500 pages, plus 176 pages with 637 black and white photographs.
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